露西了

没有话说了

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带回事情的变化(2017)生产商蒂姆·比德韦尔为她的第四张专辑,没有话说了,歌手/作曲家露西了保留在她第三次释放的亲密,安静的声学领域。然而,很快人们就发现,尽管在文体上相似,没有话说了是一次更加阴郁、令人心碎的郊游。第一首单曲《Conversation》从它的开场精选原声吉他和部分不和谐的备用琴弦中,建立起了一种柔和、悲伤的音程。与此同时,玫瑰当她坦言“没有人像你一样爱我/但也没有人像你一样让我失望”时,她听天由人的歌声似乎来自隔壁的沙发垫子,而不是任何一种表演。The song eventually adds instruments like piano and vintage electric piano to its eerie soundscape. Elsewhere, songs like "Treat Me Like a Woman" and "Save Me from Your Kindness" build likewise elegantly textured arrangements that still seem as quiet as rain or that would notice the subtle scrape of a stool against the kitchen floor. That's despite the fact that the latter song is built upon electric guitar. In fact, there's a deceptively large list of instruments represented here, ranging from strings, woodwinds, and percussion to electric guitar, organ and synths. The brief "No Words Left, Pt. 1" has vocals but no words, adding玫瑰她的悲鸣伴随着迷幻的漩涡,其中有弹奏的原声吉他、即兴低音提琴、钢琴、康加斯(congas)和其他更难识别的音色。器乐《Just a Moment》是专辑中唯一的原声吉他单曲。除了它的色调和调色板,统一没有话说了是一种以“Solo(w)”和“Nobody came Round Here”等标题表达的总体孤独感。When the album closes with the lucid "Song After Song" ("Song after song after song all about me and my misery…"), it's a touching, unexpectedly hummable end to a set that's intricate yet understated, and sad yet comforting.

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